CROSSHARE
1A
No time, Mr Skinflint. (5)
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Orizzontali
  1. 1A
    No time, Mr Skinflint. (5)
  2. 6A
    Troups' first sprocket returned. (5)
  3. 9A
    Set in pearl I erased before. (7)
  4. 10A
    Mama takes first good ejecta. (5)
  5. 11A
    Sydney University left to unswaddle muddle. (5)
  6. 12A
    Thanks to Barbie's man, it's in use. (5)
  7. 13A
    First corn is mixed with starch where you start from. (7)
  8. 17A
    Juggling the weight of French gadgetry. (5)
  9. 19A
    Most beautiful woman carried back by an elephant with no pants. (7)
  10. 22A
    Jazzy bongo flute's last duets – the start of something big?
  11. 23A
    A clove scrunched into a nook. (5)
  12. 25A
    Perhaps Bond Street leaves stage, not without love. (5)
  13. 26A
    Owing money, he left thine bed in disarray. (2, 4)
  14. 28A
    Endless disorderly queuing? That's novel. (6)
  15. 29A
    Escape her M.C. (6)
  16. 32A
    Strange I drew strangely. (5)
  17. 34A
    Egoistic, heartless, he'll abandon shellfish. (7)
  18. 38A
    Pyramid builder cited in The Abbreviated A to Z of Technical Edifice Construction. (5)
  19. 39A
    Expire in gold – bye bye. (5)
  20. 40A
    A price you pay for a coral necklace? (5)
  21. 41A
    Bachelor degrees soon an instrument of considerable solemnity. (7)
  22. 42A
    Chum usually provides sustenance. (5)
  23. 43A
    Easily, oily, voicelessly, cunningly. (5)
Verticali
  1. 1D
    Swollen glands thanks to mother – just an afterthought. (5)
  2. 2D
    Odd, scungy air sweetens the pill. (5)
  3. 3D
    In here actors respond. (5)
  4. 4D
    Regarding entering with wiggle. (6)
  5. 5D
    Vacillating pickle’s soft spot gets strong. (6)
  6. 6D
    Crazy carnival loses five of the heads. (7)
  7. 7D
    Western show or back with deodorant. (5)
  8. 8D
    Distorts it as Kew should contain it. (5)
  9. 14D
    Yen enters stick to spice things up. (7)
  10. 15D
    Love the sound of a door. (5)
  11. 16D
    Swindles Guevara at first sight. (6)
  12. 18D
    Consumes ours after stunted development. (7)
  13. 20D
    Eel returns to Switzerland’s blood-sucker. (5)
  14. 21D
    Essence enters in at urethra. (6)
  15. 24D
    I infiltrate chef’s boss. (5)
  16. 27D
    Smudges around a bus-bed. (7)
  17. 30D
    Twee, or lacking courtesy. (6)
  18. 31D
    Third-party account to briefly escape argument. (6)
  19. 32D
    Chaos of the first and second war’s fury. (5)
  20. 33D
    Even "siddhi dogma" is an odd expression. (5)
  21. 35D
    Tends towards changing lanes. (5)
  22. 36D
    White matter of or in ivy. (5)
  23. 37D
    Spurt out of upholstery like Swiss cheese. (5)
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